Pidta ‘Phon Tok Mok Khak Rak’

Pidta ‘Phon Tok Mok Khak Rak’ BE 2536  - Than Dam, Wat Mai Naparam. Takbai. Narathiwat.

close up pics

Featuring another little collection of mine – Rare and very hard to find Phra Pidta ‘Phon Tok Mok Khak Rak’ BE 2536 by late LUANG PHOR DAM / THAN DAM of Wat Mai Naparram, Takbai Narathiwat. Thailand. These two BE 2536 pidta were self collected / rented in BE 2542/43. I went to Wat Mai Naparam with my guru – Phor Mor Chau Nan. Phor Mor Chau Nan was the one who sought ALUYAK from late Than Dam to rent these left over BE 2536 pidta ( kept by Than Dam in his room )   and other new stuffs made by Than Dam because I can’t converse well in Thai !

taken in differ dimme of light

The feature pidta is Phra Pidta ‘Phon Tok Mok Khak Rak’, the very first and early batch of Pidta Bangsek ( following the Bangsek’s pidta designed by late Phor Than Kong ) made by Than Dam. The first and the finest workmanship pidta ever made from Southern monk. In a glance it looks like Than Kong’s Mee Hoo ( with ear ) Pidta Phakhawan. But to be honest, it was not made and crafted by Luang Phor Dam himself but was made by Luang Phor Dam assistant. Hand crafted by Luang Phor Dam’s close disciple! No hard feeling !

This is a very rare and hard to find indeed 4 in 1 Pidta  ( 3.5 inches bucha statue ) .  This 4 in 1 pidta statue made of wanj material, the same wanj used in creating Phra Pidta ‘Phon Tok Mok Khak Rak’. According to Than Dam this kammakan batch pidta was made at the same time with Phra Pidta ‘Phon Tok Mok Khak Rak’.  This special 4 in 1 batch pidta was made only 9 pieces and to be given away to the committee who helped him to make the BE 2536 Phra Pidta ‘Phon Tok Mok Khak Rak’. 

 close up pic

 This piece was kept by Than Dam and Phor Mor Chau Nan requested it from Than Dam to be rented out together with his newly made Mai Thaw Thep Satra @ tongkat ( 1 pc of BE 2541 batch – with steel head / bottom, 2 pieces of BE 2541 batch with wanj Phra Pidta ‘Phon Tok Mok Khak Rak’ head / bottom ) dan special BE 2542 batch of Lek Nampee Pidta @ Din Nam Lom Fai Pidta ( soil, water, wind, fire elements ).

various angles close up pics

 Merely Sharing !

sabbe satta sukhita hontu !

Sadhu ! Sadhu !

Wiesukhihotu 12 !

POWER   OH   POWER   II

Intipati perbincangan tentang POWER  ( KUASA MAGIS / MISTIK ) pada kali ini berkisar kepada kepercayaan yang ditanam dalam diri kita tentang ilmu dan kuasa yang dimiliki oleh GURU ( sami / achan /sifu / pawang / bomoh / pengamal paranormal ) dan mereka-mereka yang seangkatan dengannya.

POWER – Pelbagai lapisan masyarakat sama ada dari golongan adiwangsa mahupun marhaen dari seantero dunia dewasa ini tidak dapat lari daripada polemik serta mauduk yang membahas tentang POWER, SUPER POWER dan SUPER DUPER POWER yang dimiliki oleh seseorang GURU. Marcapada ini, para GURU ini menggunakan pelbagai uslub untuk MENGIKLANKAN DIRI mereka dalam majalah picisan dan mengaku bahawa mereka memiliki kuasa magis istimewa yang tidak diperolehi /dimiliki oleh pengamal GURU lain. Mereka mengakui dan menggelarkan diri mereka sebagai GURU yang MEMILIKI / DIANUGERAHI kuasa SUPER DUPER POWER ! Guru sebegini didatangkan khas daripada negara luar. Pengikut-pengikut fanatiknya pula secara tidak disedari turut berkongkalikung dan bersubahat untuk menjayakan visi serta misi GURU terbabit untuk diiktiraf sebagai GURU SUPER DUPER POWER !

Mauduk utama yang saya ingin kongsikan di sini ialah sesungguhnya ilmu yang dimiliki oleh para GURU yang menggembar-gemburkan diri sebagai GURU SUPER DUPER POWER itu sebenarnya tidak ke mana ilmunya. KEHEBATAN mereka hanyalah indah khabar dari rupa hanya demi mendapatkan populariti dan mengaut keuntungan daripada mereka ( pengikut fanatik ) yang daif dengan makna sebenar POWER !

Pada pandangan peribadi saya yang juga masih daif dalam topik sebegini, POWER  atau KUASA MAGIS / MISTIK semua itu hanyalah PLACEBO effect semata-mata ! Yakni, kokok berderai-derai tetapi ekornya masih bergelumang dengan tahi ---- maksudnya, kehebatan para GURU seperti yang diiklankan dalam majalah dan akhbar picisan adalah omongan kosong semata-mata. Iklan yang dipaparkan adalah salah satu strategi untuk mengaut keuntungan dan menggalakkan para pengikut MELABUR / MEMBELI barangan mistik serta SERVIS yang disediakan.

Izharnya, kehebatan para  GURU ( sami / achan /sifu / pawang / bomoh / pengamal paranormal ) pada dasarnya diukur pada elemen-elemen seperti berikut:

(i)     Kostum / kain yang membaluti tubuh para  guru berkenaan. Sesiapa sahaja yang mengenakan jubah kuning, jubah hitam ataupun kostum khas serba putih, jubah bercorak belulang ( kulit ) harimau, ataupun  mengenakan kain basahan drp negara Thai.

(ii)            Memiliki serta menggunakan perantaraan seperti barang serta objek mistik / pelik / tidak pernah dilihat. Memiliki serta menggunakan perantaraan seperti  tengkorak , tulang, kulit ( manusia dan binatang ). Termasuklah menghasilkan barang-barang mistik seperti Namman Prai ( minyak mati dibunuh ),  Lookrok ( toyol @ anak kerak ), Takrut ( tangkal ), Sampoo YING @ BARANG ( amulets yang dihasilkan daripada bahan2 yang diambil daripada mayat )  dll

(iii)       Kejayaan menganjurkan satu majlis ritual magis yang dihadiri oleh ratusan dan ribuan pengikut fanatik, termasuklah mengadakan ritual KEBAL (Kongkraphan Catri - invulnerability -  ditikam dan ditembak tak lut / cedera) dengan mengadakan demostrasi secara langsung dengan mennguris,  menikam dan menetak dengan tanpa meninggalkan kesan luka atau calar pada anggota badan )

 

(iv)          Mengadakan ritual-ritual tertentu ( wai kroo, plugsaeg, putapisek, withi ) yang didakwa RARE dan tidak diamalkan oleh para GURU  yang lain terutamanya di kawasan keramat, gua, kubur lama dengan merendamkan diri dalam minyak yang mendidih, mandi minyak panas dan juga memakan kaca serta menelan bara api.

(v)      Mengadakan ritual-ritual khas seperti Khrop Sian, Sak Yant dan lain-lain ritual  yang berjaya MEMANGGIL roh-roh serta semangat-semangat keramat untuk MENURUN atau memasuki jasad seseorang pengikut fanatik ( hanuman, semangat serta roh-roh haiwan, roh-roh yang dianggap keramat ) yang akhirnya melompat-lompat, terpekik-pekik  dan terjerit melolong tanpa sebarang tujuan atau hala tuju.

Sementelahan dengan itu, demi merealisasikan impian untuk mengaut keuntungan dan membantu pemilik premis barangan mistik menangguk di air keroh dan menjana kemewahan. GURU terbabit dibawa keluar daripada kepompong dirinya yang sebenar. Daripada ceruk pedalaman di negara asal mereka, guru ini DIBAWA keluar, DIUNDANG dan DIDATANGKAN khas dengan sambutan karpet merah ke negara kita. GURU terbabit diangkat, disanjung, dan disembah sebagai GURU MAHA AGUNG. Kononnya guru terbabit ialah salah seorang guru yang maha hebat takkala berada di negara asalnya.

Posters dan flyer  tentang guru terbabit diedarkan. Wajah serta cerita-cerita kehebatan guru terbabit diwara-warakan dalam akhbar-akhbar picisan termasuklah penggunaan kemudahan Jalur Lebar dan internet untuk MENGIKLANKAN kehadiran guru terbabit. Kita pun berduyung-duyunglah MEMBANJIRI kedai-kedai menjual barangan mistik yang menjadi  orang perantaraan yang bertanggungjawab untuk membawa masuk guru terbabit ke negara kita kononnya untuk   berjumpa dan mendapatkan khidmat mistik dengan GURU terbabit.

Sudah terang lagi bersuluh, itulah senario yang melanda negara kita pada hari ini. Kita semakin lalai, alpa dan samar tentang arus perubahan yang melanda dunia barangan mistik yang rata-ratanya dikaitkan dengan agama Buddha. Walaupun ia jelas dan nyata bertentangan dengan ajaran Buddha yang sebenar-benarnya.  Kita terpukau dan dikaburi  dek  ilmu magis guru terbabit. Kita gagal menilai dengan kepala hati kita yang waras, kita lebih cenderung untuk menerima bulat-bulat setiap ritual yang diadakan sebagai tanda kehebatan guru terbabit.

Harapkan cerah hingga ke petang, rupanya hujan di tengah hari. Itulah peribahasa yang dapat menggambarkan keadaan selepas berjumpa dan memperolehi barangan mistik yang dibekalkan oleh guru terbabit. Kesannya hanya umpama indah khabar dari rupa ataupun guruh berdentum tetapi hujan tak menjadi. Barangan mistik serta khidmat mistik yang ditawarkan akhirnya mengecewakan kita apabila ianya TIDAK MENJADI sebagai mana yang kita hajati / impikan ………

KEBAL = Luka hanya tertusuk dek duri ikan

TIDAK LUT SENJATA= Luka hanya tertusuk dek jarum peniti

PENDINDING  = Kedai / Rumah masih lagi dikopak dinding / siling

PENUNDUK  = Masih lagi menerima dan mengikut arahan majikan sambil menangguk

PENGGERUN = Kita yang masih gerun, bukannya orang yang gerun.

PELARIS  =  Masih bertimbun barangan yang tidak laris

PEMANIS  =  Ramai yang masih menjauhkan diri

PEMIKAT  = Masih lagi tiada yang berminat

PERINGAN JODOH =  Masih lagi membujang 

PERUKUN  RUMAHTANGGA  =  Keluarga masih lagi porak peranda

PENGASIH  =  Rakan sekerja /teman masih menyisih

PENGUBAH NASIB = Masih lagi mengeluh kerana masih ramai yang senasib

GURU datang silih berganti, kita juga turut sekaki. Dari seorang guru berjubah kuning, ke jubah putih. Daripada juban putih ke jubah belang harimau. Dari jubah berbelang ke jubah serba hitam. Namun, nasib kita tetap tidak berubah. Dari mandi bunga hinggalah ke menusuk badan dengan pelbagai corak tatu.Namun, nasib masih kita masih kaku membatu. Di mana silapnya semua itu ? Adakah sebab Guru ? Tatu ? Hantu ? Temanku? Pasanganku ?  Musuhku ? Pesaing businessku ? Ibu bapaku ? Nasibku ? Takdirku ? atau memang aku dah tertipu ????

Sebagai akibat ketaksuban kita, ratusan dan ribuan ringgit melayang keluar dari negara kita ke negra guru terbabit. Kita mengumpul resit hutang yang penjang lebar, guru dan pemilik kedai barangan mistik tersenyum lebar. Barangan mistik yang DITINGGALKAN  ( Minyak dan Tangkal Mati Dibunuh, MInyak dan Tangkal Musang, Minyak  dan Tangkal itu dan ini, ini dan itu, itu dan ini, itu itu dan ini ini ………entah apa-apa entah itu  ! ) akhirnya kita juga yang menggigit jari, ditinggalkan dengan pelbagai masalah baru yang tidak diingini !

PLACEBO effect semata-mata ! Yakni, kokok berderai-derai tetapi ekornya masih bergelumang dengan tahi.

Tuntasnya, cuba kita renung-renungkan kembali, adakah GURU ( sami / achan /sifu / pawang / bomoh / pengamal paranormal ) pada  zaman silam yang TERSOHOR / POPULAR juga memiliki karektor dan kriteria yang sama ? Mengambil beberapa SAMI AGUNG dari Malaysia dan Thailand sebagai contoh; Somdej Toh, Khron Ratchanaren @ Tok Raja, LP Doem,  LP Sod Wat Paknam, Achan Mun, Achan Chah, LP Waeng yang diangkat tinggi kerana dianggap telah mencapai  taraf wali-wali agung di sisi Buddha. Ikhtisar  serta persoalan pokok  ingin diutarakan ialah;

i)         Adakah para guru sebagaimana yang dicanangkan dia atas pada zaman keagungan mereka pernah dijemput untuk melariskan jualan barangan mistik di kedai-kedai menjual barangan mistik ?

ii)               Adakah mereka juga mengamalkan ritual-ritual serta amalan yang sama  seperti di atas ?

iii)           Adakah  para guru terbabit menghasilkan barangan mistik yang dikenakan harga yang melambung tinggi ?

iv)         Adakah para guru agung sebagaimana dicadangkan di atas menggembar-gemburkan dan mewara-warakan kehebatan serta keampuhan ilmu yang mereka miliki ?

Akhirulkalam, konklusi ringkas yang dapat saya simpulkan di sini ialah pada zaman dahulu KEMASYHURAN  seseorang  GURU ( sami / achan /sifu / pawang / bomoh / pengamal paranormal ) itu dilihat pada kontribusi dan sumbangan yang tidak berbelah bagi terhadap Buddha, Dhamma dan Sangha .  KEAGUNGANnya diukur pada jasa yang beliau sumbangkan sebagai ketua kepada masyarkat setempat yang dinaunginya. KEHEBATANnya pula dinilai pada kealiman serta alaman yang dipratikkannya. KETOKOHANnya disanjung tinggi berdasarkan kepada nilai serta suri teladan – rol model yang ditonjolkan. KEAMPUHAN ilmu yang dimilikinya pula didasarkan kepada tahap  kemampuan beliau untuk  membantu meringankan beban dan menyelesaikan masalah yang dihadapi oleh golongan marhaen yang dinaungi dan dipimpininya. KEDAULATANnya pula dihisab dari sudut penghormatan serta sanjungan yang diterima daripada pengikut-pengikut yang dipayunginya !

Tepuk dada tanya selera, GURU SUPER DUPER POWER bagaimanakah yang anda impikan ?

 

SEPULUH JARI DISUSUN dan AMPUN MAAF DIMOHON, tidak terlintas di hati saya untuk mengecam dan memperleceh ilmu serta kebolehan sesetengah guru. Saya akui sememangnya terdapat RAMAI guru  yang didatangkan dari negara jiran kita yang sememangnya hebat dan POWER serta banyak membantu mereka-mereka yang menghadapi masalah ( pelbagai ! ). Reusi Amnaj, Reusi Sompit, Achan Marn, Achan Aik, Achan Thong ( hanya menamakan beberapa orang GURU REUSI dan GURU BAJU PUTIH sebagai contoh, maaf sekiranya guru-guru pujaan anda yang power tidak disenaraipendekkan ! ). Sememangnya mereka ini merupakan GURU-GURU yang mempunyai POWER yang tidak boleh dipertikaikan, termasuklah ritual-ritual yang diamal dan lakukan !

Ruang lingkup perbincangan saya berkaitan POWER adalah khas untuk GURU-GURU YANG TIDAK BERTAULIAH, tetapi begitu berani mempromosikan serta mengakui bahawa mereka adalah antara guru yang maha hebat.  Ada juga antara guru-guru terbabit yang sememangnya telah DIKECAM dan DIHALAU keluar dari negera asal mereka kerana tembelang mereka sudah pecah tembelang ! Di negara asal mereka, mereka ini hanya umpama insan gelandangan yang merempat yang tidakmempunyai tempat dalam kalangan penduduk setempat. 

Di negara asal mereka juga, mereka tidak mendapat tempat dalam kalangan penduduk setempat. Rasionalnya...... baru setahun jagung sudah mula menunjukkan taring ! Yakni, baru beberapa tahun berguru / wai kroo dan baru belajar bertatih serta menghafal ABC.... mereka ini sudah mula berdiri tegak dan mengakui diri hebat dan mampu membuat, melakukan itu dan ini, ini dan itu, begitu dan begini ..... entah apa apa entah ! Sementelahan apabila mereka TOUCH DOWN dan menjejakkan kaki di tanah tumpah darah kita, mereka ini disanjung dan dipuja bagai raja, walaupun pada hakikatnya mereka ini hanyalah RAJA KAPUR ! ( Raja Temberang dan Penipu ! ). Mereka-mereka ini mula menebarkan sayapnya membuka empayar baru dunia mistik untuk menangguk di air keruh bagi mengaut keuntungan ! 

…………………….. with that I rest my case !

 Merely sharing of thought !

Sabbe satta sukhita hontu !

Sadhu ! Sadhu !

Wiesukhihotu 12 !

Inherited “ Kreung Lang” from Wat Phikulthong, Terbak. Tumpat.

Inherited “ Kreung Lang” from Wat Phikulthong, Terbak. Tumpat.

Sharing my Inherited “ Kreung Lang” of Wat Phikulthong from my late beloved Mother ( made by and given out by late Than kru Daeng ) . In brief, my mum was born and grown up in Tumpat, Kelantan. My grandmother’s house was situated just next to the only one cinema ( former Lido Cinema ) in Tumpat, situated at intersection of Jalan Besar and Jalan Kampung Besut.

During her younger age, my mum second house was Wat BorMek, name used / called by local folk to indicate Wat Phikulthong Vararam. She grown up and learnt Thai language in Wat Phikulthong. Before getting married and moved to Din Daeng ( Tanah Merah ), Wat BorMek and monks in Wat BorMek were her guidance. Than Kru Daeng or Phor Than Daeng was my mum’s “FATHER”. She called late Phor Than Daeng as “FATHER” - “PHOR” in Thai and not as LUANG PHOR – the venerable one. Late Phor Than Daeng used to call my mum as “LOOK” – daughter.

 

My mum spent most of her times in Wat BorMek. Whenever she be in Wat BorMek, my elder auntie ( deceased )and younger auntie will accompany her. Sometimes they will put a night there ( in a Kuti ). After my mum married and settled down in Tanah Merah. My younger auntie moved from Jalan Kampung Besut and resided in Jalan Besar, Tumpat after the Lido Cinema was torn down to give away for the development project.

During her OUTING, HELPING and STAYING in Wat BorMek, Than Kru Daeng teaches my mum, aunties and other local folks about Buddha and Dhamma. Other than that, my mum said Than Kru Daeng will give away some of the KREUNG LANG to my mum. Some of the KREUNG LANG were made by Than Kru Daeng while others were brought back from other temples after attending the chanting ( pluksaeg, phutapisek, withi ) ceremony, including Kreaung Lang from local temple, even from Thai and India.

INHERITED “PHRA KREUNG & KREUNG LANG”

SAKSIT PHOR THAN NAR DAM BUCHA

My mum rented 7 SAKSIT PHOR THAN NAR DAM BUCHA from Than Kru Daeng with RM 70 each. My mum brought back 4 painted black n 3 golden colour buchas. The 5 buchas were given / divided between my siblings. According to my mum the other 2 buchas were damage and broke into pieces

1 bucha at my hometown in Din Daeng.

2 buchas at my elder sister home in Peringat.

1 bucha at my house in Grik.



1 bucha at my 2nd sister home in Din Daeng.



TAKRUT PITSARMORN – Using vintage tooth paste tube

These 2 pieces khat Eow ( waist taktut ) were given by late Than Kru Daeng to my mum. My mum said these two takrut given to her in early 80s when she met Than Kru Daeng for his help ( court case – land possession case ). The origin of these takrut were unknown but according to my mum, Than Kru Daeng said these takrut were made by vintage tooth paste tube ( lead / tin ).

PHAR YANT KARN BARN KARN CHON

As in my previous post on ………… these phar yant were given to my mum when my mum moved to Din Daeng ( built a new house ). These phar yant were to be placed at 4 directions of the house ( main and back door’s frames, room’s wall )

TAKRUT KARN BARN KARN CHON

These only 2 pieces takrut Karn Barn were given to my mum to be placed / hung at the doors frame ( main and back doors ). These takruts were permanently hung at my hometown door’s frames since late 1970s. Please be noticed that the Mai Thaw Karn Barn ( above Than Kru Daeng’s takrut ) was made my late granddad – Phor Mor Keaw and not from Than Kru daeng ! The photos were taken in fews years back so it bit messy with dirt and web on it ! Hahahahahaha baru original !

LUANG PU THO

This Luang Pu Tho amulet was given to my mum when my elder and 2nd sisters were away from Kelantan for work. My mum consulted Phra Kru Daeng and she was given 2 pieces of this Luang Pu Tho. 1 well kept by me and the other 1 is with my elder sister. I used to show this Luang Pu Tho to my friend and he said this is the fake Luang Phu Tho. Stumbled with his comments, from that day on I had never shown this Luang Pu Tho to others because afraid of malicious judgement and interpretation as the FAKE LUANG PU THO ! Whether is fake or not it is a treasure for us because it was given out by late Than Kru Daeng to my mum.

ORIGINAL THAN KRU DAENG’S PHOTO - 07/05/1971

WAENG ( RING ) THAN DAENG

WAENG ( RING ) LUANG PU THIM, WAT CHANG HAIY

UNIDENTIFIED PHRA GLEEB BUA

These 5 pieces of unidentified phra kreung ( Phra Gleeb Bua ) were believed originated from Thailand, but the origin of these amulets were remained unsolved. It lokks like Phra Gleeb Bua from Achan Eid, Wat Khao Ork, Phtalung. These amulets were given to my mum by late Than Kru Daeng. My mum said she only kept 5 pieces out of 20s. May be late Than Kru Daeng expert could help me to shed the light of these amulets, especially the material used ……. Mercury ???

PHRA U-THONG

According to the infos gathered from the various sources, this Phra U-Thong was made of mixed fragments of many old Phra Kru from Supanburi such as Phra Kampaeng Soq, Phra Mahesuan and other amulets from Wat Phra Sri Rattana Mahathat and other temple in Supanburi. Mass chanted from 69 great monks in B.E.2510. Made for soldier troops during Indo-China and Vietnam war.

Merely Sharing !

sabbe satta sukhita hontuk !


wiesukhihotu12 !

Takrut Maha Rar Ngap Chakapat

Presenting and sharing the brief infos on great takrut – Takrut “Maha Rar Ngap Maha Chakhapat”. Takrut “Maha Rar Ngap Maha Chakhapat” is among of the thousand great takruts made by great guru monk. In my point of view, takrut “Maha Rar Ngap Maha Chakhapat” perhaps is the greatest among the great takrut because of its application and super natural power embedded / lain within the takrut.

Takrut “Maha Rar Ngap Maha Chakhapat” said to be endowed with 108 super natural power of;

* If one carries it, he will be safe wherever he goes.

* If he has to meet his enemies or competition, victory will fall upon him.

* If safe keep in the premises, it will safeguard the premises against fire, break in, 

* If safe keep in the premises, it will help to change the bad CHI / energies

* If safe keep in the house, it will vibrate the harmonious  vibes among  the residents.

* If one keeps inside the car, it will help the owner to safe guard the car and put the mishap at bay.

The great yant  “Maha Rar Ngap Maha Chakhapat”

The great takrut “Maha Rar Ngap Maha Chakhapat”

According to late Phor Mor Chau Nan, the words / phases… ‘Maha Rar Ngap’ means power to stop or obstruct or defeat whereas, ‘Maha Cakhapat’ means the ultimate King. Generally takrut “Maha Rar Ngap Chakhapat” is endowed with a superb power of……….

i.      Maha Lap ( endow with bundle of great fortune )

ii.     Maha Metta ( to be loved by others )

iii.   Maha Sanaeh ( opposite sexes attraction )

iv.    Maha Niyom (effect of loving-kindness )

v.      Maha Phokasap ( great wealth – windfall luck )

vi.    Maha Amnaj  ( great charismatic power feared by people, posses of authority power )

vii.   Klaew Khad (free from all harms and mishaps )

viii.  Khan Phai ( protection for general safety )

ix.     Khan Khun Saie ( warding off bad people / back stabber / smite enemies )

x.      Kong Kra Phan Chatri ( invincibility and invulnerability )  

xi.     Khan Sai Yar Satd ( protection from Black magic )

xii.    Khan Tuar ( Body protection )

xiii.            etc

Therefore takrut “Maha Rar Ngap Maha Chakhapat” is worth to be kept. Nowadays, it is hard to find a skillful guru monk / achan who can inscribe Maha Rar Ngap Yant / Khom to be made into Maha Rar Ngap Maha Chakhapat takrut and not many guru monk / achan who are really mastered in this Maha Rar Ngap Maha Chakhapat takrut making. The guru monk / achan / teacher who wanna make takrut “Maha Rar Ngap Maha Chakhapat” must be a great patience, compassionate, high in meditation and of course strong in wichah sciences. “ 

There is a wide spread news on the present guru monk that REALLY qualified to inscribe / make takrut “Maha Rar Ngap Maha Chakhapat”. Thai people believe among  present guru monk that qualified to make / produce  takrut “Maha Rar Ngap Maha Chakhapat” is Luang Phor Sai Thong. Luang Phor  Sai Thong is popular with his takrut making skill, he is said to be possessed / endowed with wichah power of takrut making sciences and the takrut “Maha Rar Ngap Maha Chakhapat”  by Luang Phor Thong Sai is said to be possessed with supreme power and is the best among other takrut “Maha Rar Ngap Maha Chakhapat” makers.

Luang Phor Sai Thong photos.

 Various  example of takruts of “Maha Rar Ngap Maha Chakhapat”

The great yant / khom of “Maha Rar Ngap Maha Chakhapat” to be inscribed must be followed by specific incantations before any khata akhom begins to be inscribed on the takrut plate ( normally black lead ). After the complicated inscribing processes are completed, the lead takrut will be rolled then the takrut is plugsaeg again before been knitted with the strings. The takrut can be in any sizes. Range from 5cm to 30 cm long. Most of the takrut are in giant sizes, this is because of its complicated yant / khata akhom. Some of the takrut sizes determine by the purpose of making and the most important thing is easy / convenient to carry except if you wanna put it at home ( altar ), the bigger size of takrut is most preferable then.

The actual size

Sample of rolling takrut process

LP Sai Thong is inscribing the takrut

LP Sai Thong plugsaeg the takruts 

The example of takrut “Maha Rar Ngap Maha Chakhapat 

An average sizes of the feature “Maha Rar Ngap Maha Chakhapat” takrut is 1.2 kg in weight ( approximately ), 30 cm (12 inches) in lengths and 4.5 cm ( 1.5 inches ) in diameter.  It is made of old “Takua Dam” (  black  Lead ) and  knitted 2 types of colourful strings.

 

The example of takrut “Maha Rar Ngap Maha Chakhapat

An average sizes of the second feature “Maha Rar Ngap Maha Chakhapat” takrut is 1.2 kg ( approximately ), 30 cm (12 inches) in lengths and 4.3 cm ( 1.3 inches ) in diameter.  It is made of old “Takua Dam” ( black  Lead ) and knitted with black  colour strings.

My takruts “Maha Rar Ngap Maha Chakhapat” on my home bucha altar

  

Katha for Takrut Maha Rar Ngap Maha Chakhapat 

There is a specific khata / incantation to increase the supreme power of this “Takrut Maha Rar Ngap Maha Chakhapat”. Incantation can be recited according to the worshipper wish ( s ). The incantation of this takrut can be fulfilled in 3, 7, 21 times. According to Luang Phor Sai Thong, it’s much better if the incantation can be done / recited according to the Buddha’s Day. Meaning to say that, the incantation is recite according to the 7 different days of the week, each day represent the different times of recitation until the sum of the recitation is accumulated 108 times or less or more per week. For instance ………

Sunday	6   times
Monday	15   times
Tuesday	8  times
Wednesday	29 times
Thursday	19 times
Friday	21   times
Saturday	10 times

Namo Tassa Bhagavato Arahantho Samma Sammbuddhasak

Phikyo Theyva Manuk Sarnang

Phikyo Brahma Nakmut Tamo

Phikyo Naga Supar Nakyang

Phikrijin Sriyang Nakh Makh Mi Hang

Ikh Tikh Paramita Tingsa

Ikh Tikh Sappanyu Ma Khatta

Ikh Tikh Pothik Manuk Phatto

Ikh Tikh Pikh So Chaktey Nakmo

 

Ikh Ra Char Kha Ta Rak Sar

Tikh Hang Cakh To Ro Tikh Nang

Pikh Sam Rar Lo Phut Sat Phut

So Makh Nakh Kha Rikh Tha Tho

Phak Sam Samg Vik Sakh Tae Phak

Kha Budh Phan Tho Tham Wa Khak

Wa Tho No Akh Makh Makh Wa

Ak Vik Su Nutt Sar Nuk Tikh

Nakh Mor Budh Thak Yakh

Yakh Thak Budh Mor Nakh

Bak Rak Mang, Bhaghava

Makh Akh Ukh,  Bhaghava

Nakh Mor Phut Thakh Yakh

Nakh Makh Phakh Thakh

Chak Phakh Kha Sakh

Makh Akh Ukh

Ukh Akh Makh

According to my present guru Phor Mor Cau Narn, presently 84 years old from Tanah Merah. ( Not late Phor Cau Nan – my another guru, passed away in late 2009  ) used to say, those days, takrut “Maha Rar Ngap Maha Chakhapat” is tied to their main pillar of the house when the new house is to be built. Some are buried in the centre area of the house or the 4 corners before the house is built. Some of the wooden house, the owner will tie the takrut on top of the house roof’s pillar ( inside ). They believed that the takrut will help the family members to live in harmonies, protect the house from various negative elements ( thief, burglar, fire, wild / poisonous animals, evil forces and etc ), prosperity, longevity, and etcetera. According to Phor Mor Cau Narn, for the modern houses ( ready built ). You no need to dig and bury or tie the takrut.  It is enough if you place the takrut at your house bucha altar or even can be tied or hung at your house’s main door frame ( inside ).

During King Naresuan The Great era takrut “Maha Rar Ngap Maha Chakhapat”  is used by the Thai great warrior during their fight / battle with their enemies. According to the Thai battle history and legend, King Naresuan The Great for example used to use this takrut “Maha Rar Ngap Maha Chakhapat”. King Naresuan wore the takrut at all times and he regconised its effectiveness requested the takrut to be made for  all his platoon leaders to enhance their skills and lead them to victories. This takrut “Maha Rar Ngap Maha Chakhapat”  to be believed to help and bring the victory to the troupe led by the king.

Nowadays, takrut “Maha Rar Ngap Maha Chakhapat”  is highly sought after and the price for this type of takrut  can cause the price up to the nose.  Even though we are afford the higher price, few are willing to let go, you can’t rent it over amulets shelves and market either….. the genuine and effective one of course ! Normally the takrut “Maha Rar Ngap Maha Chakhapat”  was made by request and not to be rented out over the counter.

merely sharing !

sabbe satta sukhita hontuk !

sadhu ! sadhu !

wie.sukhihotu11 !